Browsing Artikler, rapporter og annet (kultur og litteratur) by Author
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- Browsing Artikler, rapporter og annet (kultur og litteratur) by Author
Browsing Artikler, rapporter og annet (kultur og litteratur) by Author
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Schimanski, Johan (Journal article, 2006)[+][-]
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Schimanski, Johan (Journal article; Tidsskriftartikkel; Peer reviewed, 2006)[+][-]
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Schmidt, Michael (Journal article, 2005)[+][-]
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Schmidt, Michael (Journal article, 2003)[+][-]
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Schmidt, Michael (Chapter, 2003)[+][-]
Abstract: In den beiden Jahrzehnten nach dem Zweiten Weltkrieg veröffentlichte der niederländische Diplomat Robert van Gulik etwa anderthalb Dutzend Kriminalromane, die, um die Hauptfigur des Richter-Detektivs Di aus der Tang-Epoche gruppiert, inzwischen längst zu den Klassikern des Genres zählen. Der eigenwillige, aber anerkannte Sinologe Gulik, Verfasser auch von etwa 20 kulturwissenschaftlichen Büchern insbesondere zum Fernen Osten, übersetzte gleichsam seine wissenschaftlichen Kenntnisse in das damals noch wenig angesehene Genre des Kriminalromans. Diese Transformation stellt der Aufsatz in die Tradition des europäischen Dilettantismus, der, obgleich eine neuhumanistische "Religion des Gentleman", dem Kriminalroman an geringem Ansehen kaum nachstand. URI: http://hdl.handle.net/10037/652 File(s) in this item: 1
article.pdf (155.8Kb) -
Selboe, Tone (Journal article, 2003)[+][-]
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Skaftun, Atle (Journal article, 2003)[+][-]
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Skaftun, Atle (Journal article, 2003)[+][-]
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Skaftun, Atle (Journal article, 2002)[+][-]
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Skare, Roswitha (Journal article; Tidsskriftartikkel; Peer reviewed, 2010)[+][-]
Abstract: In film history Robert Flaherty’s Nanook of the North (1922) is usually considered the first documentary and possibly one of the best known documentaries of the silent era. It has also been called the first ethnographic film, as well as the first art film. However, this paper will not discuss the question of whether Nanook is a documentary, rather it will focus on the fact that there is not only one version of this film, but several different editions. This paper will show how some of the paratextual elements – first of all the different prefaces – change from edition to edition and what kind of influence this has on how viewers perceive the film. Description: This is the accepted version (final draft post review), reprinted with permission. URI: http://hdl.handle.net/10037/2432 File(s) in this item: 1
article.pdf (37.56Mb) -
Skare, Roswitha (Chapter; Bokkapittel, 2007)[+][-]
Description: In: Roswitha Skare, Niels Windfeld Lund, Andreas Vårheim (eds.) (2007): "A Document (Re)turn". Frankfurt am Main, Peter Lang,pp. 135-151 Reprinted with permission. URI: http://hdl.handle.net/10037/972 File(s) in this item: 1
paper.pdf (10.21Mb) -
Skare, Roswitha (Conference object; Konferansebidrag, Oct-2004)[+][-]
Abstract: The notion of text has a long tradition inside the human science. A broad definition of this concept considers all man-made products as systems of signs and thereby as texts; but often not “as the physical manifestation as such, but as the abstract representation of a work” (Gunder: 2001, 86). Considering that everything – including sculpture, music, photography and film – can become a text, either a written text – like literature in a traditional sense – or a verbal text, one can at least wonder whether the concept is useful or not. The notion of document with roots back to ancient times can be considered as multifaceted as the notion of text, but today’s literary critics or art scholars would probably hesitate to use this concept on literary texts or works of art. Speaking about literature as documents, art as documents, food or cloth as documents and so on, Documentation science at the University of Tromsø provokes many humanists. But if anything can be a document as well as a text – what difference does it really make if we are using the one or the other concept? In this paper I will investigate the notion of document in comparison to the notion of text by means of some literary examples. Focusing on different aspects of literary works, I will try to argue that both concepts can exist side by side. Description: Paper presented at DOCAM ’04, University of California, Berkeley, October 22-24, 2004 URI: http://hdl.handle.net/10037/1090 File(s) in this item: 1
article.pdf (9.468Mb) -
Skare, Roswitha (Conference object; Konferansebidrag, Aug-2003)[+][-]
Abstract: Christa Wolf – one of the most famous East German writers – published a little story called What remains in the summer of 1990. Written in the late seventies under the GDR regime but first published after the opening of the Berlin Wall, What remains caused a great stir in the almost reunified Germany known as the Christa-Wolf-Debate. Especially in big German newspapers like Die Zeit or Frankfurter Allgemeine Zeitung, but also in the smaller local ones, German intellectuals for years were discussing the moral responsibilities of the writer and the politics of literature and literary criticism. All the critics refer to one literary text, not taking into consideration that there might be a unit of documents caused by several editions and several versions. In this paper I therefore would like to examine what kind of influence these variants might have on the interpretation of the text. In relation to this, I also want to take a closer look on what Gerald Genette (1987) calls the ”paratext” of a text and its consequences for the public ”epitext”. In this context I will also discuss the fact that an important part of the artistic documentation – the several versions of a text which may be found in private or public archives – are seldom or never considered as relevant by literary critics who only relate to the ”finished” product. Description: Paper presented at DOCAM ’03, University of California, Berkeley, August 13-15, 2003 URI: http://hdl.handle.net/10037/1092 File(s) in this item: 1
article.pdf (2.011Mb) -
Skare, Roswitha (Chapter; Bokkapittel, 2009)[+][-]
Abstract: Christa Wolf’s Sommerstück was published in March 1989, just in time to celebrate the 60th birthday of the author in both East and West Germany. In the years after 1989, different paperback editions followed. Interesting to note is that pictures by Hartwig Hamer were included only in the original edition by Aufbau. Accordingly, I would like to focus in this paper on paratextual elements – using the term coined by Gérard Genette in his work Paratexts: Thresholds of Interpretation – before I turn my attention to the word-image relationship between Christa Wolf’s text and Hartwig Hamer’s pictures. URI: http://hdl.handle.net/10037/1878 File(s) in this item: 1
article.pdf (12.70Mb) -
Skare, Roswitha (Chapter, 2003)[+][-]
Abstract: Im Mittelpunkt dieses Beitrages steht Grit Poppes Debütroman "Andere Umstände" (1995), in dem die Geschichte einer mordenden jungen Frau in der DDR der 80er Jahre erzählt wird. Anhand der zahlreichen Anspielungen im Roman wird gezeigt, daß es sich bei Andere Umstände keineswegs um einen "klassischen" Kriminalroman handelt, sondern vielmehr um eine Persiflage des Genres in der Abschied von der Vorstellung genommen wird, daß es so etwas wie eine verbindliche Wahrheit oder einen Zugriff auf authentische Realität gibt. Mit Hilfe von Gérard Genettes Theorie vom Paratext wird weiter gezeigt, wie die Anspielungen nicht nur textlichen Charakter haben, sondern bereits in der Gestaltung des Schutzumschlages zum Ausdruck kommen. URI: http://hdl.handle.net/10037/634 File(s) in this item: 1
article.pdf (431.8Kb) -
Skare, Roswitha (Conference object; Konferansebidrag, Oct-2006)[+][-]
Description: Paper presented at DOCAM ’06, University of California, Berkeley, October 13-15, 2006 URI: http://hdl.handle.net/10037/967 File(s) in this item: 1
article.pdf (614.5Kb) -
Skare, Roswitha (Journal article, 2004)[+][-]
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Skare, Roswitha (Journal article; Tidsskriftartikkel; Peer reviewed, 2012)[+][-]
Abstract: Denne artikkelen undersøker paratekstens betydning for resepsjonen av den tyske filmen Das Leben der Anderen (2006) som autentisk og dermed som en troverdig fremstilling av historiske hendelser. Artikkelen viser at autentisitet ikke nødvendigvis er en objektiv kategori som kan etterprøves, men like mye en subjektiv følelse av at noe er fremstilt i samsvar med egne erfaringer og opplevelser. For å opprettholde tilskuerens illusjon om å se en autentisk film, brukes det – i tillegg til parateksten – en rekke virkemidler som blant annet skaper en følelse av umiddelbarhet hos tilskueren. Når tilskueren lever seg inn i historien og i livet til hovedpersonene, glemmer han/hun filmmediet og opplever det Owen Evans kaller for ”authenticity of affect”. URI: http://hdl.handle.net/10037/4108 File(s) in this item: 1
article.pdf (201.9Kb) -
Skare, Roswitha (Journal article; Tidsskriftartikkel; Peer reviewed, 2012)[+][-]
Abstract: The article starts with the film's premiere in New York in 1922. With help of 2 cuesheets - probably compiled in 1922 - the music of one scene ("Winter") is examined, before the article takes a look into 2 original scores composed by Stanley Silvermanand Timothy Brock for either VHS or DVD editions of the film. It turns out that these original scores give much more priority to the pictures than the music that probably accompanied Nanook in 1922. One explanation for this might be found in the different experiences of today's audiences concerning film in general and film music in particular. URI: http://hdl.handle.net/10037/4455 File(s) in this item: 1
article.pdf (1.594Mb) -
Skare, Roswitha (Journal article; Tidsskriftartikkel; Peer reviewed, 2012)[+][-]
Abstract: The Life of Others (2006) has been a successful film, winning the Oscar for Best Foreign Feature in 2007. It is a film about surveillance, but also about the lives of artists and writers in East Berlin in the middle of the 1980s, and about what role literature and art played in the GDR and in the events of autumn 1989. The article focuses on the way the film portrays Wiesler’s transformation from hard-boiled Stasi officer into the guardian angel of his target, and shows how art – both literature and music – plays an important role in this process. URI: http://hdl.handle.net/10037/4885 File(s) in this item: 1
article.pdf (511.5Kb)
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