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Bristling at windows: Subversion through heterodox mythology
(Master thesis; Mastergradsoppgave, 2020-11-26)
This thesis is a narrative of an artistic development, drawing on the intersections of meaninglessness and meaning, as well as strategies to resist capitalist recuperation. The narrative moves from the absurd in art to the society of the spectacle through the philosophies of Albert Camus and Guy Debord, then proceeds to examine the works of Scott Walker, Tetsuya Ishida, Michio Fukuoka and Lawrence ...
I Never Learnt my Mother Tongue
(Master thesis; Mastergradsoppgave, 2020-11-26)
This thesis reflects upon questions and issues related to the Kven culture in the context of contemporary arts. How to use the field of arts as a medium to revitalize and innovate the Kven culture of today.
Color - The Memory of Sadism
(Master thesis; Mastergradsoppgave, 2020-11-26)
Based on the knowledge of the color theory, I have been playing a serial performance with participants of my project. The project is for proving a slight unbalance of power between a human relationship. Furthermore, this is the experience of racism regarding of skin color. From the first step to the last step, all the process is one performance interacting with the participants.
Exercises in intra-acting: A zone of potential And an exercise about not dropping out. ‘Tape yourself to a green chair.’
(Journal article; Tidsskriftartikkel; Peer reviewed, 2020-12-15)
This article is about the participatory performance event <i>Speak for yourself (Snakk for deg sjøl)</i> performed mainly for teenagers at schools through the Norwegian Cultural Schoolbag program (<i>Den kulturelle skolesekken</i>), but also for an open audience at Hålogaland Theatre and the Arctic Arts Festival. The center of the discussion concerns <i>what</i> has agency to initiate various ways ...