Now showing items 1-10 of 44
Elisabeth Eide og Kristin Skare Orgeret (red.): Etter beste kjønn: Kjønnsperspektiv på medier og journalistikk.
(Journal article; Tidsskriftartikkel, 2016)
Playing Cultural Memory: Framing History in 'Call of Duty: Black Ops' and 'Czechoslovakia 38-89: Assassination'
(Journal article; Tidsskriftartikkel; Peer reviewed, 2016-03-21)
The present article brings game studies into dialogue with cultural memory studies and argues for the significance of computer games for historical discourse and memory politics. Drawing upon the works of Robert Rosenstone and Astrid Erll, we develop concepts and theories from film studies and adapt them to respond to the media specificity of computer games. Through a critical reading of the first ...
Selective Realism: Filtering Experiences of War and Violence in First- and Third-Person Shooters
(Journal article; Tidsskriftartikkel; Peer reviewed, 2015-07-31)
The present article develops the concept of selective realism to understand how design features and narrative frames of first- and third-person shooters (F/TPS) exclude attention to salient, yet unpleasant, features of warfare such as problematic forms of violence, long-term psychological impacts, or socio-political blowbacks. Identifying four specific filters that frame player experiences, I argue ...
Materialist Perspectives on Digital Technologies: Informing Debates on Digital Literacy and Competence
(Journal article; Tidsskriftartikkel; Peer reviewed, 2016-06-15)
The present article brings critical media research and science and technology studies (STS) into dialogue with approaches to digital literacy and digital competencies in educational contexts. In particular, it focuses on material aspects of new information and communication technologies (ICTs) such as technical infrastructure, economic conditions, ecological consequences, and code-based as well as ...
Virtuous wars and virtual enemies. The construction of self, other, and conflict in Black Hawk Down and other mass media representations
(Master thesis; Mastergradsoppgave, 2005-06-07)
The present thesis looks at the relationship between cultures, mass media representations, war, and peace. The main research question is how self, other, and conflict are presented in artefacts of contemporary US popular culture - war and action movies in particular - and what impact such representations have on the attitudes, conceptualisations, and, ultimately, the behaviour of individuals and ...
Archives and Identity in the Context of Social Media and Algorithmic Analytics: Towards an Understanding of iArchive and Predictive Retention
(Journal article; Tidsskriftartikkel; Peer reviewed, 2017-12-24)
The present article reconceptualises the archive in the context of digital media ecologies. Drawing upon archival theory and critical approaches to the political economy of the Internet, I account for new dynamics and implications afforded by digital archives. Operating at both a user-controlled explicit and a state- and corporate-owned implicit level, the digital archive at once facilitates empowerment ...
Uwe Krüger: Warum wir den Medien nicht mehr trauen
(Journal article; Tidsskriftartikkel; Peer reviewed, 2019-11-11)
<i>Mainstream: Warum wir den Medien nicht mehr trauen</i> viser hvorfor en voksende avstand mellom borgere og elitene er problematisk for et demokratisk samfunn. En journalistikk som viser seg ute av stand til å kritisk følge elitedrevne prosesser og praksiser mister den sentrale vaktbikkjefunksjonen som man ofte uten videre ettertanke tildeler store medieaktører. <i>Krügers bok</i> kan sees som et ...
Rearticulating the experience of war in 'Eine Frau in Berlin'
(Journal article; Tidsskriftartikkel; Peer reviewed, 2012)
Situating itself in the field of cultural memory studies, this article traces the slow emergence in German historical discourse of the narrative of an anonymous German woman who survived the Soviet occupation of Berlin in 1945. I will, firstly, conceptualize the historical condition of the Anonyma as a precarious liminal sphere of transition between competing sovereignties that dislodged her political ...
Borders, barriers and grievable lives : the discursive production of self and other in film and other audio-visual media
(Journal article; Tidsskriftartikkel; Peer reviewed, 2011)
On the background of a close reading of Ridley Scott’s war film Black Hawk Down (USA 2001; BHD), this paper investigates the formal properties through which a certain strain of war and action movies discursively constitutes the other – the enemy - as less than human. I develop the argument that the emergent relation between friend and foe in these films can be read through the concept of the border ...
Articulating Threats/Threatening Articulations: The Discursive Impact of Persistent Organic Pollutants (POPs) on Local Systems of Meaning
(Journal article; Tidsskriftartikkel; Peer reviewed, 2010)
This paper deals with the threats posed by persistent organic pollutants (POPs) to Arctic populations. It does not primarily focus on the negative impacts these substances have on ecosystems and human organisms, but rather directs its attention to the potentially disruptive effects the articulation of these threats might have on Arctic communities and systems of meaning. I employ the theoretical ...