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Anything Can Be Used: Notes on the synthesis of desire and knowledge
(Master thesis; Mastergradsoppgave, 2021-11-24)
This thesis is centred on an analysis of collage and détournement as artistic and hermeneutic methodologies in a relatively wide sense. It focuses on how the political and theoretical dimensions of détournement, as defined by Situationist theory and practice, can be seen as parallel to - and amalgamated with - specific forms of occult practice and philosophy, particularly alchemy. Arguing that ...
Unyoking the Unconscious Posthuman Desires: On the Psychology of Cognitive Capitalism, Transcendental Political Systems and the Existential Technologies of the Mind
(Master thesis; Mastergradsoppgave, 2021-12-08)
This thesis has no traditional narrative structure and the form stimulates a schizophrenic and bipolarity
stance of the world, filled with different epiphenomenal characters and voices between fiction and reality,
much like a manuscript based on my own experiences. A pre-determined and an orchestrated future is becoming more of a reality as technologies advance further, it seems that building a ...
If I were standing in your shoes
(Master thesis; Mastergradsoppgave, 2021-12-08)
We utilize technology to transcend the limitations of the human condition, or to map the invisible frontier at the boundaries of our physical biology. How could the masses of data produced by our societies in this modern world be used to generate an ideal form of artwork, one which decentralizes power, decolonizes peoples, degenders the individual, and counters oppression by authority?
I want to ...
Artworks of Post-Revolutionary Iranian Female Photographers: Identification and Analysis
(Master thesis; Mastergradsoppgave, 2021-12-08)
The Iranian Revolution and the Imposed War (Iran-Iraq War 1980-1988) and the years that followed led to inception of various cultural and social conditions in Iran. Following the formation of new intellectual and ideological movements, the art movements underwent many transformations. Consequently, arts universities began to teach various fields of arts, and a new chapter of artistic photography was ...
Primitive Approaches to Domestic Living
(Master thesis; Mastergradsoppgave, 2021-11-19)
This text highlights our attitudes towards ways of living depending on specific materials and techniques.
Exploring how my art practice in relation to the domestic, challenges the use of functional art within our own and other realities. In the hope that it will give me the answers to my own minute domestic issues.
En Météo du sens - On longing for an onomatopoeic eutopia dans une langue étrangère
(Master thesis; Mastergradsoppgave, 2021-12-06)
This paper discusses the matter of shared space as embodied cognition – méteo du sens in a relation to the artistry process that arises from sonic awareness and from the processes of perception, sensing and artist’s personal relation to it. On a journey on sensing and becoming aware that our body does not limit with the physical body, one must loose their body to be able to share a space, a landscape, ...
MUTE ASH Memory, Image, Place and Loss
(Master thesis; Mastergradsoppgave, 2021-11-21)
Mute Ash is a text that explores a personal photographic archive and a personal story. The text poses questions around memory, image, place and loss.
A Tender World - Transience, Control and the Inevitable
(Master thesis; Mastergradsoppgave, 2021-12-09)
In the thesis, I attempt to investigate uncertainty and change, seen through the concepts of tenderness or vulnerability. Using examples from movements and practices like Deep Adaptation and Deep Listening, I also link this perspective to my recent art practice during the MA studies at UIT through concrete projects, and methodolgies used.