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dc.contributor.advisorGranås, Brynhild
dc.contributor.authorBerg, Bjørn-Andreas
dc.date.accessioned2019-09-26T10:11:38Z
dc.date.available2019-09-26T10:11:38Z
dc.date.issued2019-05-16
dc.description.abstractSummary: Over the last decade hiking tourism has grown in Norway. This is exemplified by the increasing numbers of tourists that visits Trolltunga, Prekestolen and Kjerag. These are the most prominent examples, which appears to be part of a larger trend. Knivskjellodden has likewise, seen a rise in visitor numbers over the last decade. This aim of this thesis is to build an understanding of the meaning people attach to their hike to Knivskjellodden. This phenomenon will be explored through Edensor´s (2000, 2001, 2007) theories on performance in tourism. During the analysis it is reflected upon how identity is constructed through performances where `self´ is attached to activity, places and a certain way of traveling.en_US
dc.identifier.urihttps://hdl.handle.net/10037/16282
dc.language.isoengen_US
dc.publisherUiT The Arctic University of Norwayen_US
dc.publisherUiT Norges arktiske universiteten_US
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2019 The Author(s)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/4.0en_US
dc.rightsAttribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)en_US
dc.subject.courseIDREI-3020
dc.subjectVDP::Social science: 200en_US
dc.subjectVDP::Samfunnsvitenskap: 200en_US
dc.subjectTourismen_US
dc.titleHiking to the "Real" Northernmost Point. Performing Identiy on the way to Knivskjelloddenen_US
dc.typeMaster thesisen_US
dc.typeMastergradsoppgaveen_US


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Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)