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dc.contributor.authorBaglo, Cathrine
dc.date.accessioned2020-04-17T04:50:14Z
dc.date.available2020-04-17T04:50:14Z
dc.date.issued2020-01-28
dc.description.abstractWhile the Sea Sámi had a prominent position in an industrial exposition held in Tromsø in northern Norway in 1870, this category of display was no longer present in an industrial exposition held in the same city in 1894. In this article I explore this change and how the display of Sámi culture at the Tromsø expositions fit into a larger societal picture. Moreover, I argue that the creation of material regimes emphasizing reindeer herding culture as the only genuine Sámi culture, contributed to the marginalization of the Sea Sámi early on in an exhibition context.en_US
dc.identifier.citationBaglo C. The disappearance of the sea sámi as a cultural display category: Assimilation policies and the role of industrial expositions . Nordisk Museologi. 2019(3):25-44en_US
dc.identifier.cristinIDFRIDAID 1766635
dc.identifier.doihttps://doi.org/10.5617/nm.7725
dc.identifier.issn1103-8152
dc.identifier.urihttps://hdl.handle.net/10037/18048
dc.language.isoengen_US
dc.publisherInstitutionen för museologi Umeå universiteten_US
dc.relation.journalNordisk Museologi
dc.relation.projectIDNorges forskningsråd: 270629en_US
dc.relation.projectIDinfo:eu-repo/grantAgreement/RCN/P-SAMISK/270629/Norway/The Societal Dimensions of Sami Research: The Production and Implementation of Knowledge in the High North//en_US
dc.relation.urihttps://journals.uio.no/museolog/article/view/7725/7010
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2019 The Author(s)en_US
dc.subjectVDP::Humanities: 000en_US
dc.subjectVDP::Humaniora: 000en_US
dc.titleThe disappearance of the sea sámi as a cultural display category: Assimilation policies and the role of industrial expositionsen_US
dc.type.versionpublishedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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