dc.contributor.advisor | Waage, Trond | |
dc.contributor.author | Varroni, Ascanio | |
dc.date.accessioned | 2020-08-20T08:16:44Z | |
dc.date.available | 2020-08-20T08:16:44Z | |
dc.date.issued | 2020-06-02 | |
dc.description.abstract | Uncertainty is becoming a fundamental new conceptual tool for anthropologists in order to understand the complex ways in which the vulnerable people living at the margins of African fast- growing cities create meaning out of a routinized sense of crisis. Many studies (Cooper & Pratten 2015; Whyte 2009; McGovern 2012; Waage 2015; 2018; etc.) have highlighted the importance of hope and social contingency in navigating through one person’s unresponsive environment; and patron-client relations have been recognised everywhere in Africa and the Global South as common relational strategies to cope. Though, to make the concept useful at an epistemological level it needs a variety of situated and thick descriptions.
In Ngaoundéré, a city of northern Cameroon, everyone is connected to others in a network of solidarity and mutual recognition, and patrons are fundamental figures to disempowered individuals. During my fieldwork of 3 months, I have investigated over this issue: in which ways do individual experiences of uncertainty determine the practice of building up patron-client relations? Following the life story of the immigrant Jean Louis, his Cameroonian patron Dji Dji and the foreigner who went to learn from them, myself, I argue that doing fieldwork and building our representations with a critical and reflexive approach can also be a way to understand the experiences of our subjects, by entering at the same time productive and reciprocal collaborations. | en_US |
dc.identifier.uri | https://hdl.handle.net/10037/19070 | |
dc.language.iso | eng | en_US |
dc.publisher | UiT Norges arktiske universitet | en_US |
dc.publisher | UiT The Arctic University of Norway | en_US |
dc.rights.accessRights | openAccess | en_US |
dc.rights.holder | Copyright 2020 The Author(s) | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-sa/4.0 | en_US |
dc.rights | Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) | en_US |
dc.subject.courseID | SVF-3903 | |
dc.subject | anthropology | en_US |
dc.subject | visual anthropology | en_US |
dc.subject | Africa | en_US |
dc.subject | ethnographic film | en_US |
dc.subject | uncertainty | en_US |
dc.subject | coping with uncertainty | en_US |
dc.subject | suffering | en_US |
dc.subject | patron-client | en_US |
dc.subject | hope | en_US |
dc.subject | social contingency | en_US |
dc.subject | trust | en_US |
dc.subject | reflexivity | en_US |
dc.subject | reciprocity | en_US |
dc.subject | applied anthropology | en_US |
dc.subject | Cameroon | en_US |
dc.subject | Ngaoundere | en_US |
dc.subject | Adamawa | en_US |
dc.subject | migration | en_US |
dc.subject | Central African immigrants | en_US |
dc.subject | place-in-the-world | en_US |
dc.subject | VDP::Social science: 200::Social anthropology: 250 | en_US |
dc.subject | VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250 | en_US |
dc.title | Nous sommes ensemble. Uncertain contingencies and hope in urban Ngaoundéré | en_US |
dc.type | Master thesis | en_US |
dc.type | Mastergradsoppgave | en_US |