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dc.contributor.authorColes, Nicholas A.
dc.contributor.authorMarch, David S.
dc.contributor.authorMarmolejo-Ramos, Fernando
dc.contributor.authorLarsen, Jeff T.
dc.contributor.authorArinze, Nwadiogo C.
dc.contributor.authorNdukaihe, Izuchukwu L. G.
dc.contributor.authorWillis, Megan L.
dc.contributor.authorForoni, Francesco
dc.contributor.authorReggev, Niv
dc.contributor.authorMokady, Aviv
dc.contributor.authorForscher, Patrick S.
dc.contributor.authorHunter, John F.
dc.contributor.authorKaminski, Gwenaël
dc.contributor.authorYüvrük, Elif
dc.contributor.authorKapucu, Aycan
dc.contributor.authorNagy, Tamás
dc.contributor.authorHajdu, Nandor
dc.contributor.authorTejada, Julian
dc.contributor.authorFreitag, Raquel M. K.
dc.contributor.authorZambrano, Danilo
dc.contributor.authorSom, Bidisha
dc.contributor.authorAczel, Balazs
dc.contributor.authorBarzykowski, Krystian
dc.contributor.authorAdamus, Sylwia
dc.contributor.authorFilip, Katarzyna
dc.contributor.authorYamada, Yuki
dc.contributor.authorIkeda, Ayumi
dc.contributor.authorEaves, Daniel L.
dc.contributor.authorLevitan, Carmel A.
dc.contributor.authorLeiweke, Sydney
dc.contributor.authorParzuchowski, Michal
dc.contributor.authorButcher, Natalie
dc.contributor.authorPfuhl, Gerit
dc.contributor.authorBasnight-Brown, Dana M.
dc.contributor.authorHinojosa, José A.
dc.contributor.authorMontoro, Pedro R.
dc.contributor.authorJavela D, Lady G.
dc.contributor.authorVezirian, Kevin
dc.contributor.authorIJzerman, Hans
dc.contributor.authorTrujillo, Natalia
dc.contributor.authorPressman, Sarah D.
dc.contributor.authorGygax, Pascal M.
dc.contributor.authorÖzdoğru, Asil A.
dc.contributor.authorRuiz-Fernandez, Susana
dc.contributor.authorEllsworth, Phoebe C.
dc.contributor.authorGaertner, Lowell
dc.contributor.authorStrack, Fritz
dc.contributor.authorMarozzi, Marco
dc.contributor.authorLiuzza, Marco Tullio
dc.date.accessioned2023-03-09T16:06:01Z
dc.date.available2023-03-09T16:06:01Z
dc.date.issued2022-10-20
dc.description.abstractFollowing theories of emotional embodiment, the facial feedback hypothesis suggests that individuals’ subjective experiences of emotion are influenced by their facial expressions. However, evidence for this hypothesis has been mixed. We thus formed a global adversarial collaboration and carried out a preregistered, multicentre study designed to specify and test the conditions that should most reliably produce facial feedback effects. Data from n = 3,878 participants spanning 19 countries indicated that a facial mimicry and voluntary facial action task could both amplify and initiate feelings of happiness. However, evidence of facial feedback effects was less conclusive when facial feedback was manipulated unobtrusively via a pen-in-mouth task.en_US
dc.identifier.citationColes, March, Marmolejo-Ramos, Larsen, Arinze, Ndukaihe, Willis, Foroni, Reggev, Mokady, Forscher, Hunter, Kaminski, Yüvrük, Kapucu, Nagy, Hajdu, Tejada, Freitag, Zambrano, Som, Aczel, Barzykowski, Adamus, Filip, Yamada, Ikeda, Eaves, Levitan, Leiweke, Parzuchowski, Butcher, Pfuhl, Basnight-Brown, Hinojosa, Montoro, Javela D, Vezirian, IJzerman, Trujillo, Pressman, Gygax, Özdoğru, Ruiz-Fernandez, Ellsworth, Gaertner, Strack, Marozzi, Liuzza. A multi-lab test of the facial feedback hypothesis by the Many Smiles Collaboration. Nature Human Behaviour. 2022en_US
dc.identifier.cristinIDFRIDAID 2082207
dc.identifier.doi10.1038/s41562-022-01458-9
dc.identifier.issn2397-3374
dc.identifier.urihttps://hdl.handle.net/10037/28709
dc.language.isoengen_US
dc.publisherNature Researchen_US
dc.relation.journalNature Human Behaviour
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2022 The Author(s)en_US
dc.rights.urihttps://creativecommons.org/licenses/by/4.0en_US
dc.rightsAttribution 4.0 International (CC BY 4.0)en_US
dc.titleA multi-lab test of the facial feedback hypothesis by the Many Smiles Collaborationen_US
dc.type.versionacceptedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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Attribution 4.0 International (CC BY 4.0)
Med mindre det står noe annet, er denne innførselens lisens beskrevet som Attribution 4.0 International (CC BY 4.0)