• Artificial Intelligence and the Preservation of Historic Documents 

      Barlindhaug, Gaute (Journal article; Tidsskriftartikkel; Peer reviewed, 2022)
      In recent decades, digitization has been presented as an important strategy both for the preservation of historic documents and for giving increased access for researchers to such materials. In the Norwegian context, this has not only implied the digitization of printed matter but also the digitization of audiovisual material like photography and analog tape recordings. From a technical perspective, ...
    • Artificial Intelligence and the Preservation of Historic Documents 

      Barlindhaug, Gaute (Journal article; Tidsskriftartikkel; Peer reviewed, 2022-12-08)
      In recent decades, digitization has been presented as an important strategy both for the preservation of historic documents and for giving increased access for researchers to such materials. In the Norwegian context, this has not only implied the digitization of printed matter but also the digitization of audiovisual material like photography and analog tape recordings. From a technical perspective, ...
    • The Ontological Status of Sound Recording: An Artistic Blend between Documentation and Sonic Aesthetics 

      Barlindhaug, Gaute (Journal article; Tidsskriftartikkel; Peer reviewed, 2020)
      This paper discusses how different ways of defining the ontological status of recorded sound have developed throughout the 20th century. My claim is that even within the period of analog technology, sound recording was moving away from its purposes of preserving and documenting real life musical performances. I will illustrate this by using three different examples. First, I will look at how John ...
    • Performing with a Sonic Tool - An approach to designing and analysing new instruments 

      Barlindhaug, Gaute (Journal article; Tidsskriftartikkel; Peer reviewed, 2023)
      In recent decades, digital technology has accelerated the development of new musical instruments, not only establishing new techniques for creating sound but also enabling new performance practices. Audiences have been exposed to new ways of performing music ranging from more or less static laptop performances to expressive use of bodily gestures to control sounds. These changes are becoming even ...