Nye registreringer

  • A Tender World - Transience, Control and the Inevitable 

    Björklund, Maija Liisa (Master thesis; Mastergradsoppgave, 2021-12-09)
    In the thesis, I attempt to investigate uncertainty and change, seen through the concepts of tenderness or vulnerability. Using examples from movements and practices like Deep Adaptation and Deep Listening, I also link this perspective to my recent art practice during the MA studies at UIT through concrete projects, and methodolgies used.
  • Photographic Portraits as Dialogical Contact Zones: The Portrait Gallery in Sápmi – Becoming a Nation at The Arctic University Museum of Norway 

    Stien, Hanne Hammer (Chapter; Bokkapittel, 2021)
    The point of departure for this essay is a series of eleven contemporary photographic portraits of Sámi people in large formats presented in the exhibition Sápmi – Becoming a Nation (2000-) at the Arctic University Museum of Norway, in Tromsø.1 The photographs were commissioned by the curators, and they were shot by documentary photographer, photojournalist, and filmmaker Harry Johansen (b. 1958). ...
  • Veien til vannet 

    Gjelstad, Rebecca (Mastergradsoppgave; Master thesis, 2023-05-22)
    Oppgaven handler om å gjøre UiT Campus, der det idag finnes parkeringsplasser, til et attraktivt sted man ønsker å være. Dette gjøres i min oppgave ved å fremheve og forsterke vannets kvaliteter gjennom hele året.
  • Perception and appreciation of plant biodiversity among experts and laypeople 

    Breitschopf, Eva; Bråthen, Kari Anne (Journal article; Tidsskriftartikkel; Peer reviewed, 2023-02-06)
    <p>1. Plant biodiversity, which is fundamental for the delivery of ecosystem services, is in decline. Yet, knowledge about how plant biodiversity is perceived and appreciated is scarce. <p>2. We studied biologists' and laypeople's perception and appreciation for plant communities that differ in plant biodiversity,using ranges of plant biodiversity known to affect ecosystem services. We investigate ...
  • Fremstillinger av kjønn i utstillingen "Flytende russisk" 

    Stien, Hanne Hammer (Chapter; Bokkapittel, 2018)
    Fotografier er den typen gjenstander som de kulturhistoriske museene samler mest av (Johansen 2012). I tillegg til innsamling a fotografier inngår mange ulike fotografiske praksiser i museenes primære virksomhet, så som fotodokumentasjon og bruk av fotografi i utstillings- og formidlingssammenheng (Stien 2017, 16). Selv om den fotografiske virksomheten til museene er sammensatt og griper inn i andre ...
  • The Sámi Museum in Karasjok: A Story of Resistance 

    Hansen, Hanna Horsberg (Chapter; Bokkapittel, 2022-08-15)
    In Karasjok, on the Norwegian side of Sápmi, there is a cultural-historical museum, Sámiid Vuorká-Dávvirat (SVD) (The Sámi Museum), and an art collection comprising 1,400 works of art. The museum building was completed in 1972. Different ideas for an art museum in connection to the SVD building have existed since the 1980s, but for various reasons no plans for an art museum have so far come to ...
  • Materialfølelse og virkekraft 

    Stien, Hanne Hammer (Chapter; Bokkapittel, 2022)
  • Shifting coasts: developing new coastal concepts 

    Tynan, Eimear Mairéad (Journal article; Tidsskriftartikkel; Peer reviewed, 2022)
    Coastal environments are closely under the radar of the impact of climate change. Approximately 680 million people live in low-lying coastal zones according to the most recent Intergovernmental Panel on Climate Change (IPCC) report from 2019.1 The report presents key threats to coastal environments that include permanent submergence, more frequent and intense flooding, loss and change of ...
  • On Crits and Games—and Crits as Games 

    Kim, Jeuno JE; Storihle, Sille (Journal article; Tidsskriftartikkel; Peer reviewed, 2022)
    A conversation between artist and educator Sille Storihle and the Krabstadt Education Center (KEC) about overlapping interests in educational models and games. Issues discussed are the role of games in education, experiences with the format of the group crit, and the question whether it is still a solid component of arts education or how it could be deployed differently. Storihle shares their work ...
  • Dagliglivsfotografier og verdensgjøring i Inuuteq Storchs Porcelain Souls 

    Stien, Hanne Hammer (Journal article; Tidsskriftartikkel; Peer reviewed, 2022-09-15)
    Inuuteq Storchs fotobok Porcelain Souls (2018) baserer seg på hans foreldres dagliglivsfotografier fra Kalaallit Nunaat (Grønland) mellom slutten av 1960- og begynnelsen av 1980-tallet. Artikkelen beskriver motivene og montasjene i fotoboken og spør på bakgrunn av nymaterialistisk teori hvordan fotografiene skaper en grønlandsk verden innenfra. Videre argumenter artikkelen for at fotoboken på en ...
  • Humanly modified ground and time-based aesthetics 

    Clemmensen, Thomas Juel (Journal article; Tidsskriftartikkel; Peer reviewed, 2022-08-19)
    The Anthropocene not only questions perceptions of nature, but also inspires us to expand and rethink the aesthetic repertoire of landscape architecture. This article discusses process aesthetics, or time-based aesthetics, in relation to humanly modified ground, particularly the role of erosion and sedimentation. The discussion is centred around a study of the Port of Aarhus in Denmark. The study ...
  • MUTE ASH Memory, Image, Place and Loss 

    Dahle, Øistein Sæthren (Master thesis; Mastergradsoppgave, 2021-11-21)
    Mute Ash is a text that explores a personal photographic archive and a personal story. The text poses questions around memory, image, place and loss.
  • Repetition and Difference: Tromsø Academy of Contemporary Art and Creative Writing 10 years 

    Hansen, Hanna Horsberg (Chapter; Bokkapittel, 2017)
    In 2007, Tromsø Art Academy accepted its first students in the BA program in the art department at Tromsø University College (Høgskolen i Tromsø, HiTø). Much has happened since then: Tromsø University College has become part of the University of Tromsø (UiT) - The Arctic University of Norway; and the Academy has added a division of creative writing, as well as a complete curriculum offering the BA, ...
  • If I were standing in your shoes 

    Lin, Pei-Han (Master thesis; Mastergradsoppgave, 2021-12-08)
    We utilize technology to transcend the limitations of the human condition, or to map the invisible frontier at the boundaries of our physical biology. How could the masses of data produced by our societies in this modern world be used to generate an ideal form of artwork, one which decentralizes power, decolonizes peoples, degenders the individual, and counters oppression by authority? I want to ...
  • Unyoking the Unconscious Posthuman Desires: On the Psychology of Cognitive Capitalism, Transcendental Political Systems and the Existential Technologies of the Mind 

    Jaspé, Phoebe (Master thesis; Mastergradsoppgave, 2021-12-08)
    This thesis has no traditional narrative structure and the form stimulates a schizophrenic and bipolarity stance of the world, filled with different epiphenomenal characters and voices between fiction and reality, much like a manuscript based on my own experiences. A pre-determined and an orchestrated future is becoming more of a reality as technologies advance further, it seems that building a ...
  • En Météo du sens - On longing for an onomatopoeic eutopia dans une langue étrangère 

    Sellik, Annika (Master thesis; Mastergradsoppgave, 2021-12-06)
    This paper discusses the matter of shared space as embodied cognition – méteo du sens in a relation to the artistry process that arises from sonic awareness and from the processes of perception, sensing and artist’s personal relation to it. On a journey on sensing and becoming aware that our body does not limit with the physical body, one must loose their body to be able to share a space, a landscape, ...
  • Artworks of Post-Revolutionary Iranian Female Photographers: Identification and Analysis 

    Armand, Asmae (Master thesis; Mastergradsoppgave, 2021-12-08)
    The Iranian Revolution and the Imposed War (Iran-Iraq War 1980-1988) and the years that followed led to inception of various cultural and social conditions in Iran. Following the formation of new intellectual and ideological movements, the art movements underwent many transformations. Consequently, arts universities began to teach various fields of arts, and a new chapter of artistic photography was ...
  • Anything Can Be Used: Notes on the synthesis of desire and knowledge 

    Sørlid, Henrik (Master thesis; Mastergradsoppgave, 2021-11-24)
    This thesis is centred on an analysis of collage and détournement as artistic and hermeneutic methodologies in a relatively wide sense. It focuses on how the political and theoretical dimensions of détournement, as defined by Situationist theory and practice, can be seen as parallel to - and amalgamated with - specific forms of occult practice and philosophy, particularly alchemy. Arguing that ...
  • Primitive Approaches to Domestic Living 

    Hester, Anna (Master thesis; Mastergradsoppgave, 2021-11-19)
    This text highlights our attitudes towards ways of living depending on specific materials and techniques. Exploring how my art practice in relation to the domestic, challenges the use of functional art within our own and other realities. In the hope that it will give me the answers to my own minute domestic issues.
  • Color - The Memory of Sadism 

    Son, Hakkyung (Master thesis; Mastergradsoppgave, 2020-11-26)
    Based on the knowledge of the color theory, I have been playing a serial performance with participants of my project. The project is for proving a slight unbalance of power between a human relationship. Furthermore, this is the experience of racism regarding of skin color. From the first step to the last step, all the process is one performance interacting with the participants.

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