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dc.contributor.authorStien, Hanne Hammer
dc.contributor.authorFjellestad, Marthe Tolnes
dc.date.accessioned2024-06-24T06:27:56Z
dc.date.available2024-06-24T06:27:56Z
dc.date.issued2024-06-13
dc.description.abstractCurrent practices of eco-conscious photography, informed by the ongoing climate crisis and post-humanist theory, share characteristics such as collectivity, co-creation, and pro- cess orientation. By way of examples from the UK and the Nordic region, we investigate how these aspects are made (in)visible within the framework of photographic institu- tions: artist-led organizations, photographic festivals, exhibitions, and museums. We ask what implications can, or even should, eco-conscious photography have for the ways researchers, curators and institutions think about and engage with photography, both as an image and a practice.en_US
dc.identifier.citationStien, Fjellestad. Økobevisst fotografi. Fremvekst av nye praksiser og tenkemåter.. Periskop. 2024(31):14-31en_US
dc.identifier.cristinIDFRIDAID 2277175
dc.identifier.doi10.7146/periskop.v2024i31.146553
dc.identifier.issn0908-6919
dc.identifier.issn2596-4283
dc.identifier.urihttps://hdl.handle.net/10037/33890
dc.language.isonoben_US
dc.publisherForeningen Periskopen_US
dc.relation.journalPeriskop
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2024 The Author(s)en_US
dc.rights.urihttps://creativecommons.org/licenses/by/4.0en_US
dc.rightsAttribution 4.0 International (CC BY 4.0)en_US
dc.titleØkobevisst fotografi. Fremvekst av nye praksiser og tenkemåter.en_US
dc.type.versionpublishedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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Attribution 4.0 International (CC BY 4.0)
Except where otherwise noted, this item's license is described as Attribution 4.0 International (CC BY 4.0)