' 'Anonymous: Myself and Pangur': What is the point of Paul Muldoon's postmodernist play in Hay?'
dc.contributor.author | Moi, Ruben | |
dc.date.accessioned | 2024-01-18T09:17:28Z | |
dc.date.available | 2024-01-18T09:17:28Z | |
dc.date.issued | 2000 | |
dc.identifier.alma | 990006056624702201 | |
dc.identifier.issn | 0807-2698 | |
dc.identifier.uri | https://hdl.handle.net/10037/32596 | |
dc.language.iso | eng | en_US |
dc.publisher | Høgskolen i Harstad | en_US |
dc.relation.ispartofseries | HiH skriftserie 2000/08 | |
dc.rights.accessRights | openAccess | |
dc.rights.holder | Copyright 2000 The Author(s) | |
dc.title | ' 'Anonymous: Myself and Pangur': What is the point of Paul Muldoon's postmodernist play in Hay?' | en_US |
dc.type | Research report | en_US |
dc.type | Forskningsrapport | en_US |