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dc.contributor.advisorStien, Hanne Hammer
dc.contributor.authorAitken, Ruth Alexandra
dc.date.accessioned2018-10-22T07:36:34Z
dc.date.available2018-10-22T07:36:34Z
dc.date.issued2017-11-28
dc.description.abstractThis thesis discusses Neoliberalism, Empire and production-consumptions cycles in relation to how we value the environment and art. It goes on to discuss how they are reinforced by, or impact on contemporary arts practice and participation in the arts industry, using the Fluxus Movement as an example. Two art works are discussed from the perspective of the artist and put into the context of global production-consumption. It then discusses Non-Production and Uselessness as possible means of dissent through a discussion of the art works of Ellie Harrison, Lee Lozanno, Tehching Hseih and Maria Eichhorn.en_US
dc.identifier.urihttps://hdl.handle.net/10037/13997
dc.language.isoengen_US
dc.publisherUiT Norges arktiske universiteten_US
dc.publisherUiT The Arctic University of Norwayen_US
dc.rights.accessRightsopenAccessen_US
dc.subject.courseIDSAK-3900
dc.subjectVDP::Humanities: 000::History of art: 120::Other history of the arts: 139en_US
dc.subjectVDP::Humaniora: 000::Kunsthistorie: 120::Annen kunsthistorie: 139en_US
dc.titleManifesto: Uselessness as practise against Systemen_US
dc.typeMaster thesisen_US
dc.typeMastergradsoppgaveen_US


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