• Blind idealism in Ibsen's Brand 

      Isaksen, Azadeh Mazloumsaki (Journal article; Tidsskriftartikkel; Peer reviewed, 2015)
      It has been 112 years since the last play was written by Henrik Ibsen, and he still lives on through his works as a modern dramatist. His plays cannot be set aside; even in our time, they demand to be studied more than ever before. Ibsen has been studied and performed all around the world, especially in Asia, where he speaks to the political and social needs of that part of the world. The combination ...
    • Ibsen in Iran. Dariush Mehrjui’s Transposition of Et dukkehjem (A Doll’s House) and Gengangere (Ghosts) to the Screen 

      Isaksen, Azadeh Mazloumsaki (Doctoral thesis; Doktorgradsavhandling, 2022-04-07)
      <i>Sara</i> (1992) and <i>Ashbah</i> (2014) are the only Iranian movies openly based on Henrik Ibsen’s <i>Et dukkehjem</i> (<i>A Doll’s House</i>) (1879) and <i>Gengangere</i> (<i>Ghosts</i>) (1881), respectively. Both movies were produced in the Islamic Republic of Iran and scripted and directed by the internationally recognized Iranian director Dariush Mehrjui (born 1939). This study examines the ...