In: Roswitha Skare, Niels Windfeld Lund, Andreas Vårheim (eds.) (2007): "A Document (Re)turn". Frankfurt am Main, Peter Lang,pp. 95-116 Reprinted with permission. This article is part of Bernt Ivar Olsen's doctoral thesis. Available in Munin at http://hdl.handle.net/10037/4774
Dette er en bearbeidet versjon av forfatterens hovedfagsoppgave i nordisk ved Universitetet i Tromsø, under tittelen 'Erindringens vev : en analyse av Cora Sandels Albertetrilogi' (1999).
In: Roswitha Skare, Niels Windfeld Lund, Andreas Vårheim (eds.) (2007): "A Document (Re)turn". Frankfurt am Main, Peter Lang,pp. 299-309. Reprinted with permission.
The article starts with the film's premiere in New York in 1922. With help of 2 cuesheets - probably compiled in 1922 - the music of one scene ("Winter") is examined, before the article takes a look into 2 original scores composed by Stanley Silvermanand Timothy Brock for either VHS or DVD editions of the film. It turns out that these original scores give much more priority to the pictures than the music that probably accompanied Nanook in 1922. One explanation for this might be found in the different experiences of today's audiences concerning film in general and film music in particular.