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dc.contributor.authorFalke, Cassandra
dc.date.accessioned2020-03-05T08:49:36Z
dc.date.available2020-03-05T08:49:36Z
dc.date.issued2019-08-06
dc.description.abstractThis article considers “Kubla Khan” and the the Arab dream section from the fifth book <i>The Prelude</i> as precursors to the recently theorized concept of saturated phenomenality. Both Coleridge and Wordsworth insist on the limitedness of their dream subjects even as they magnify their dreamt of landscapes to heights of sublimity. Falke describes the implications that this insistence on smallness has for relating experiences of sublime landscapes to experiences of reading or writing poetry.en_US
dc.identifier.citationFalke C. "Imaginary Landscapes: Sublime and Saturated Phenomena in ´Kubla Khan´and the Arab Dream". Humanities. 2019;8(3)en_US
dc.identifier.cristinIDFRIDAID 1745556
dc.identifier.doi10.3390/h8030133
dc.identifier.issn2076-0787
dc.identifier.urihttps://hdl.handle.net/10037/17631
dc.language.isoengen_US
dc.publisherMDPIen_US
dc.relation.journalHumanities
dc.relation.urihttps://www.mdpi.com/2076-0787/8/3/133/htm
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2019 The Author(s)en_US
dc.subjectVDP::Humanities: 000en_US
dc.subjectVDP::Humaniora: 000en_US
dc.titleImaginary Landscapes: Sublime and Saturated Phenomena in "Kubla Khan" and the Arab Dreamen_US
dc.type.versionpublishedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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