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dc.contributor.authorGullickson, Charis
dc.date.accessioned2022-09-08T08:42:01Z
dc.date.available2022-09-08T08:42:01Z
dc.date.issued2022-06-14
dc.description.abstractIn June 2019, The National Museum (Nasjonalmuseet) in Norway announced plans for a decade-long collaboration with Fredriksen Family Art Company Limited. The agreement gives the museum access to the Fredriksen collection of art and intends to generate a series of major exhibitions and significantly strengthen research. While this publicprivate partnership received some criticism in the press at the time, to date there is little or no academic research on the challenges of such an alliance. This article considers Sara Ahmed’s concept of the “feminist killjoy” as a method to untangle the complexity of philanthropy.en_US
dc.identifier.citationGullickson CA. The Feminist Killjoy Untangles Philanthropy: Norway’s National Museum (Nasjonalmuseet) and Fredriksen Family Art Company Limited . Kunst og kultur. 2022en_US
dc.identifier.cristinIDFRIDAID 2038544
dc.identifier.doihttps://doi.org/10.18261/kk.105.1.4
dc.identifier.issn0023-5415
dc.identifier.issn1504-3029
dc.identifier.urihttps://hdl.handle.net/10037/26715
dc.language.isoengen_US
dc.publisherUniversitetsforlageten_US
dc.relation.ispartofGullickson, C.A. (2023). Talking Back to Art Museum Practices: Seeing Public Art Museums in Norway Through the Lens of Institutional Critique, Feminism and Decoloniality. (Doctoral thesis). <a href=https://hdl.handle.net/10037/29854>https://hdl.handle.net/10037/29854</a>.
dc.relation.journalKunst og kultur
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2022 The Author(s)en_US
dc.titleThe Feminist Killjoy Untangles Philanthropy: Norway’s National Museum (Nasjonalmuseet) and Fredriksen Family Art Company Limiteden_US
dc.type.versionpublishedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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