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dc.contributor.authorGrini, Monica
dc.date.accessioned2023-01-11T11:59:21Z
dc.date.available2023-01-11T11:59:21Z
dc.date.issued2022-07-06
dc.description.abstractThe theory and practice of decolonization present an awkward paradox: How can social change occur in everyday life to disrupt state structures while entangled with the mundane, social, and institutional practices and representations that perpetuate state power? In Sápmi, the transborder Indigenous Sámi homeland, decolonization has been intertwined with the institutionalization of Sámi governance and cultural reclamation through national governing bodies. In the Finnish-controlled regions, failures of national recognition of Sámi self-determination have fueled disenchantment with established political platforms and a growing movement to enact self-representation outside these realms. A study of Sámi craft making uncovers embodied mechanisms of decolonization, actualized through production as fluid boundary making and intergenerational healing. Craft makers reinforce relationships to land and family networks in ways that unsettle racialized and legal delineations of community belonging, redirecting the power of representation away from state-constrained decision-making bodies and toward everyday Sámi practice. In doing so, they also negotiate their own use of rejected tropes and colonial networks of production. This interplay establishes the transformative potential and constraints of an embodied decolonization.en_US
dc.description.abstractDekoloniserema diehtu ja práksisa čalmmustahttá imašlaš paradoksa: Movt olbmot sáhttet rievdadit stáhta vuogádagaid, jus sii oassálastit ásahusaide ja ovdanbuktimiidda mat jotket ráhkadit stáhta fámu? Dekoloniseren Sámis lea ealáskan dalle go politihkalaš ja kultuvrralaš sámi ásahusat leat álggahuvvon. Dát ásáhusat ledje dávjá oassin našunála vuogádagain. Suoma beale nášunala vuogádagain, lea dahkkon boasttuvuođa sámi iešmearrideami ektui. Dat lea dagahan duhtatmeahttunvuođa politihkalaš ásahusaide ja boktán dáhtu olahit ieš- ovddasteami maiddái eará sajiin go dáin ásahusain. Dát dutkkus sámi duoji birra vuoseha movt dekoloniseren geavvá barggu dahje duddjoma bokte. Duddjomis bohtet golgit kultuvrralaš rájiid ja buorránmeahttun sohkabuolvvaid gaskkas. Duojárat nanosmahttet oktavuođa eatnamii ja sogalaččaide. Dat rihkko rasisttalaš ja lágalaš servodaga miellahttuvuođa kategoriijaid, ja sirdá ovddasteami formála ásahusain fas sápmelaččaide. Seammás, duojárat birget maid iežaineaset geavahusain kolonialisttalaš doahpagiin ja firpmiin. Dát doaimmat čájehit dekolonialisttalaš vejolašvuođaid ja gáržžádusaid.en_US
dc.identifier.citationGrini MG. Duodji Matters: Comments on ‘Decolonizing Production: Healing, Belonging, and Social Change in Sápmi’ by Natalia Magnani and Matthew Magnani . Current Anthropology. 2022en_US
dc.identifier.cristinIDFRIDAID 1913288
dc.identifier.doi10.1086/720639
dc.identifier.issn0011-3204
dc.identifier.issn1537-5382
dc.identifier.urihttps://hdl.handle.net/10037/28141
dc.language.isoengen_US
dc.publisherThe University of Chicago Pressen_US
dc.relation.journalCurrent Anthropology
dc.relation.urihttps://doi.org/10.1086/720639
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2022 The Author(s)en_US
dc.rights.urihttps://creativecommons.org/licenses/by/4.0en_US
dc.rightsAttribution 4.0 International (CC BY 4.0)en_US
dc.subjectVDP::Humaniora: 000::Kunsthistorie: 120en_US
dc.subjectVDP::Humanities: 000::Art history: 120en_US
dc.subjectVDP::Samfunnsvitenskap: 200::Sosialantropologi: 250en_US
dc.subjectVDP::Social sciences: 200::Social anthropology: 250en_US
dc.subjectDekolonialiserende metodologi / Decolonizing methodologiesen_US
dc.subjectDuodji / Duodjien_US
dc.subjectSamisk kunst / Sami Arten_US
dc.titleDuodji Matters: Comments on ‘Decolonizing Production: Healing, Belonging, and Social Change in Sápmi’ by Natalia Magnani and Matthew Magnanien_US
dc.type.versionacceptedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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Attribution 4.0 International (CC BY 4.0)
Med mindre det står noe annet, er denne innførselens lisens beskrevet som Attribution 4.0 International (CC BY 4.0)