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dc.contributor.authorGaasland, Rolf
dc.date.accessioned2024-01-02T12:33:20Z
dc.date.available2024-01-02T12:33:20Z
dc.date.issued2023-08-29
dc.description.abstractThis article attempts to make sense of the speaker in Johann Wolfgang von Goethe’s «Wandrers Nachtlied II» and Rainer Maria Rilke’s «Herbst». It starts from the observation that the utterance in both poems combines a rhetorical function with a space-creating function, and that both functions participate in the poem’s organization as a communicative act in decisive ways. My conclusion is that the expectations romantic poems arouse in us, those of the sensitive lyrical subject and the sublime nature, are contradicted by the way in which the act of utterance is designed in these two poems, both of which are closely related precisely to the Romantic era.en_US
dc.identifier.citationGaasland. Rhetoric and the Creation of Space. The Utterance in Johann Wolfgang von Goethe's "Wandrers Nachtlied II" and Rainer Maria Rilke's "Herbst". Nordlit. 2023en_US
dc.identifier.cristinIDFRIDAID 2197000
dc.identifier.doi10.7557/13.7121
dc.identifier.issn0809-1668
dc.identifier.issn1503-2086
dc.identifier.urihttps://hdl.handle.net/10037/32280
dc.language.isonoben_US
dc.publisherSeptentrio Academic Publishingen_US
dc.relation.journalNordlit
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2023 The Author(s)en_US
dc.rights.urihttps://creativecommons.org/licenses/by/4.0en_US
dc.rightsAttribution 4.0 International (CC BY 4.0)en_US
dc.titleRhetoric and the Creation of Space. The Utterance in Johann Wolfgang von Goethe's "Wandrers Nachtlied II" and Rainer Maria Rilke's "Herbst"en_US
dc.type.versionpublishedVersionen_US
dc.typeJournal articleen_US
dc.typeTidsskriftartikkelen_US
dc.typePeer revieweden_US


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Attribution 4.0 International (CC BY 4.0)
Med mindre det står noe annet, er denne innførselens lisens beskrevet som Attribution 4.0 International (CC BY 4.0)