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dc.contributor.authorPötzsch, Holger
dc.date.accessioned2014-02-04T12:30:54Z
dc.date.available2014-02-04T12:30:54Z
dc.date.issued2013
dc.description.abstractThe present article provides an analysis of the narrative and technical devices through which contemporary war films frame audience engagement with characters. It compiles and systematizes a wide set of empirical findings and exemplifies these through brief, illustrative readings of a selection of films. Combining Smith’s approach to film reception with insights from Laclau and Mouffe’s theory of discourse, the article argues for the significance of the identified audio-visual rhetoric for political discourse and practice.en
dc.identifier.citationNordicom Review (2013). vol. 34(1):125–144en
dc.identifier.cristinIDFRIDAID 928854
dc.identifier.doihttp://dx.doi.org/10.2478/nor-2013-0047
dc.identifier.issn1403-1108
dc.identifier.urihttps://hdl.handle.net/10037/5812
dc.identifier.urnURN:NBN:no-uit_munin_5510
dc.language.isoengen
dc.publisherNordicomen
dc.rights.accessRightsopenAccess
dc.subjectVDP::Humanities: 000::Movie and drama: 170::Movie science: 171en
dc.subjectVDP::Humaniora: 000::Film- og teatervitenskap: 170::Filmvitenskap: 171en
dc.titleUbiquitous absent enemies: character engagement in the contemporary war filmen
dc.typeJournal articleen
dc.typeTidsskriftartikkelen
dc.typePeer revieweden


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