Vis enkel innførsel

dc.contributor.advisorRantala, Outi
dc.contributor.authorWentzlaff, Franziska
dc.date.accessioned2015-06-23T12:14:06Z
dc.date.available2015-06-23T12:14:06Z
dc.date.issued2015-05-31
dc.description.abstractVisitors travel from all over the world to Northern Norway to view the natural spectacle, the Aurora Borealis or Northern Lights during the wintertime. To increase the chances of visitors viewing the lights, they participate in a range of different activities. In order to get an understanding of how tourists perform during those activities, an ethnographic methodology informed by feministic research values was applied. Data were gathered from different ethnographic methods and thematic analysis was used to categorize gathered data into the script, stage and sharing of performances. The findings indicate that northern light experiences are a fluent process of confrontation, adjustment and improvisation. The script behind Northern Lights experiences enables the participants to perform unknown activities in unfamiliar environments. Often, performance is a process of fluidly transiting from initially perceived uncontrolled situations to the actual performance of the activity. The uncertainty of the phenomenon Aurora Borealis requires improvisation and flexibility from all involved participants. Activities that are attached to such a place and setting associate with a need for increased improvisation, while flexible activities require additional guidance and structure. The stage for performance consists of the artic landscape and darkness both involving uncontrollable factors of the natural phenomena Northern Lights and the weather. Businesses use and form through materiality that supports performance, a controlled environment and stage within nature. The guide negotiates between stage, script and the visitors to enable their performance. Nevertheless, performance is individual and varies due to personal background and previous experiences. Sharing the experience with others and expressing themselves was almost as important for the tourists as to listen to the guide. Relatedly, performance does not just take place throughout a Northern Lights activity itself, additional performances reach and continue through social media.en_US
dc.identifier.urihttps://hdl.handle.net/10037/7790
dc.identifier.urnURN:NBN:no-uit_munin_7377
dc.language.isoengen_US
dc.publisherUiT The Arctic University of Norwayen_US
dc.publisherUiT Norges arktiske universiteten_US
dc.rights.accessRightsopenAccess
dc.rights.holderCopyright 2015 The Author(s)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0en_US
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)en_US
dc.subject.courseIDRMG41en_US
dc.subjectReiseliven_US
dc.subjectVDP::Social science: 200::Economics: 210::Business: 213en_US
dc.subjectVDP::Humanities: 000::Cultural science: 060::Nordic cultural science: 061en_US
dc.subjectVDP::Samfunnsvitenskap: 200::Økonomi: 210::Bedriftsøkonomi: 213en_US
dc.subjectVDP::Humaniora: 000::Kulturvitenskap: 060::Nordisk kulturvitenskap: 061en_US
dc.subjectNorthern Lightsen_US
dc.subjectPerformanceen_US
dc.subjectNorthern Lights Tourismen_US
dc.subjectNorthern Norwayen_US
dc.titleTOURISTS PERFORMING THE UNPREDICTABLE: THE INFLUENCE OF THE SCRIPT, STAGE AND SOCIAL INTERACTION ON NORTHERN LIGHTS ACTIVITIES IN NORTHERN NORWAYen_US
dc.typeMaster thesisen_US
dc.typeMastergradsoppgaveen_US


Tilhørende fil(er)

Thumbnail
Thumbnail

Denne innførselen finnes i følgende samling(er)

Vis enkel innførsel

Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
Med mindre det står noe annet, er denne innførselens lisens beskrevet som Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)