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Religion-making in the Disney feature film, Frozen II: Indigenous religion and dynamics of agency

Permanent lenke
https://hdl.handle.net/10037/20440
DOI
https://doi.org/10.3390/rel11090430
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article.pdf (304.0Kb)
Publisert versjon (PDF)
Dato
2020-08-21
Type
Journal article
Tidsskriftartikkel
Peer reviewed

Forfatter
Fonneland, Trude
Sammendrag
This paper explores the religion-making potential of a particular secular institution, namely the Walt Disney Studios. Focusing on the animation film Frozen II that was launched in November 2019, the current article enters into debates about the manner in which indigenous religion is part of the commodity presented - how religion is produced, packaged, and staged. In the article I argue that contemporary media-scapes can be seen as agents of religion-making, of religious circulation, and renewal. As such, religion, as it is expressed in Frozen II, is outlined and produced by a particular media-form and shaped as a popular cultural formation. Further discussions about cultural appropriation are highlighted, focusing on how Disney’s reach out for cooperation with the Sámi community can generate new cultural policies and practices.
Forlag
MDPI
Sitering
Fonneland TA. Religion-making in the disney feature film, frozen ii: Indigenous religion and dynamics of agency. Religions. 2020;11(9):1-14
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  • Artikler, rapporter og annet (UB) [3245]
Copyright 2020 The Author(s)

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