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dc.contributor.authorSkare, Roswitha
dc.date.accessioned2013-03-07T07:43:14Z
dc.date.available2013-03-07T07:43:14Z
dc.date.issued2012
dc.description.abstractThe Life of Others (2006) has been a successful film, winning the Oscar for Best Foreign Feature in 2007. It is a film about surveillance, but also about the lives of artists and writers in East Berlin in the middle of the 1980s, and about what role literature and art played in the GDR and in the events of autumn 1989. The article focuses on the way the film portrays Wiesler’s transformation from hard-boiled Stasi officer into the guardian angel of his target, and shows how art – both literature and music – plays an important role in this process.en
dc.identifier.citationNordlit 30(2012) s. 35-50en
dc.identifier.cristinIDFRIDAID 948543
dc.identifier.issn0809-1668
dc.identifier.urihttps://hdl.handle.net/10037/4885
dc.identifier.urnURN:NBN:no-uit_munin_4601
dc.language.isonoben
dc.publisherUniversity of Tromsøen
dc.publisherUniversitetet i Tromsøen
dc.rights.accessRightsopenAccess
dc.subjectVDP::Social science: 200::Media science and journalism: 310en
dc.subjectVDP::Samfunnsvitenskap: 200::Medievitenskap og journalistikk: 310en
dc.subjectDDRen
dc.subjectoffentlighetsforholden
dc.subjectlitteratur og kunst som deloffentligheten
dc.title”KANN JEMAND, DER DIESE MUSIK GEHÖRT HAT, […] NOCH EIN SCHLECHTER MENSCH SEIN?” – OM WIESLERS FORANDRING OG KUNSTENS PÅSTÅTTE ROLLE I DENNE PROSESSENen
dc.typeJournal articleen
dc.typeTidsskriftartikkelen
dc.typePeer revieweden


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