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dc.contributor.advisorFalke, Cassandra
dc.contributor.authorEgeberg, Martin Stray
dc.date.accessioned2018-09-10T07:47:26Z
dc.date.available2018-09-10T07:47:26Z
dc.date.issued2018-05-29
dc.description.abstractThis thesis sets out to explore the production of social space, with a particular focus on how these spaces are racialized, in two major works by William Faulkner, Light in August (1932) and Go Down, Moses (1942). By examining how different characters interact with various spaces appearing in the narratives, the thesis aims to illustrate how the racially segregated aspect of culture in Faulkner´s postbellum Mississippi plays a significant role in both individual and collective space production. Henri Lefebvre´s monumental work on the production of space has in this thesis served as an entryway into the discourse on social space. The thesis further considers insight gained from the concept of heterotopia, introduced by Michel Foucault. The thesis seeks to revitalize, and shed new light on, the discourse concerned with the intersection of space and race in Faulkner´s works, by considering and applying the more recent theory of Paul Outka on nature and race. To put these theorists in dialogue with Faulkner´s Light in August and Go Down, Moses enables an analysis of both the political and phenomenological aspect of space in Faulkner´s works. A division between interior and exterior spaces has been made for structural reasons, resulting in a total of four analytical chapters at the core of the thesis. In these four chapters the thesis contributes to already firmly established scholarly discourses, e.g. relating to Ike McCaslin´s environmentalism and the construction of Joe Christmas´s racial identity, while simultaneously aiming to bring previously overlooked characters and scenes into focus, as for instance Uncle Ash´s experience of nature and the several instances of lynchings and executions of black men.en_US
dc.identifier.urihttps://hdl.handle.net/10037/13726
dc.language.isoengen_US
dc.publisherUiT Norges arktiske universiteten_US
dc.publisherUiT The Arctic University of Norwayen_US
dc.rights.accessRightsopenAccessen_US
dc.rights.holderCopyright 2018 The Author(s)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0en_US
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)en_US
dc.subject.courseIDENG-3992
dc.subjectVDP::Humaniora: 000::Litteraturvitenskapelige fag: 040::Engelsk litteratur: 043en_US
dc.subjectVDP::Humanities: 000::Literary disciplines: 040::English literature: 043en_US
dc.subjectLight in Augusten_US
dc.subjectGo Down, Mosesen_US
dc.subjectSpaceen_US
dc.subjectRaceen_US
dc.subjectFaulkneren_US
dc.title“Where niggers crop on shares and live like animals”. Racialized Space in William Faulkner´s Light in August and Go Down, Mosesen_US
dc.typeMaster thesisen_US
dc.typeMastergradsoppgaveen_US


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Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
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