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dc.contributor.advisorCassanello, Amilcare
dc.contributor.authorPrick, Angélique
dc.date.accessioned2014-06-06T08:06:02Z
dc.date.available2014-06-06T08:06:02Z
dc.date.issued2014-05-19
dc.description.abstractDet imaginære nord i noen verk av Sylvain Tesson. Sammendrag - Det imaginære nord fremheves i noen verk av den franske forfatteren Sylvain Tesson (1972– ), særlig reiseskildringer: I disse er forfatterens selvfremstilling sterkt knyttet til litterære figurer og motiver som ofte karakteriserer diskursen om det nordlige. Tessons nord er hovedsakelig Sibirs taiga, sør for 63 ºN. Tekstene analyseres langs tre linjer: kulde, det sublime og det primitive. Hans fremstilling av kulde sammenlignes i en flerfaglig studie med den kvantifiserte kulden. Hans fremstilling til det nordlige tilhører det sublime. Den preges av tomhet og fravær, og bygges på sammenkoblinger mellom kulde, stillhet og ensomhet. Tesson skildrer disse tre temaene hovedsakelig positivt. Tessons diskurs om det nordlige understreker motiver som passer med en imaginær nord mer enn med den virkelige nord.en
dc.description.abstractRésumé - Le Nord imaginaire est mis en évidence dans l’œuvre de l’écrivain français Sylvain Tesson (1972– ), en particulier dans des récits de voyage où la représentation de soi repose sur une utilisation de figures et schémas narratifs caractéristiques du discours sur nord. Le nord représenté est principalement celui de la forêt boréale de Sibérie, de latitude inférieure à 63º N. Les textes sont analysés selon trois axes: le froid, le sublime et le primitif. Le froid discursif est confronté au froid mesuré dans une approche pluridisciplinaire. La représentation du nord relève du sublime. Elle est caractérisée par une prévalence du vide et de la privation, et principalement basée sur les interconnections entre le froid, le silence et la solitude, trois thèmes auxquels l’auteur considère généralement avec positivité. Le discours de Tesson met en évidence les éléments qui coïncident avec un nord rêvé plutôt qu’avec un nord réel.en
dc.description.abstractThe imaginary North in some works by Sylvain Tesson. Abstract - The imaginary North is highlighted in some works by French writer Sylvain Tesson (1972– ), in particular in travel books where his self-representation interacts with literary figures and constructs that are characteristic for the usual discourse on the North. Tessons North is mostly the boreal forest of Siberia at latitudes lower than 63 degrees. The literary works are discussed using three analytical axes: the Cold, the Sublime and the Primitive. The discursive cold is confronted to the quantified cold through a multidisciplinary approach. The representation of North is sublime and characterized by vacuity and privations. It is mostly built on interconnections between the cold, the silence and solitude; these three elements are depicted mostly positively by Tesson. Tessons discourse enhances the elements that fit with an imagined North rather than with a real North.en
dc.identifier.urihttps://hdl.handle.net/10037/6352
dc.identifier.urnURN:NBN:no-uit_munin_5986
dc.language.isofraen
dc.publisherUiT Norges arktiske universiteten
dc.publisherUiT The Arctic University of Norwayen
dc.rights.accessRightsopenAccess
dc.rights.holderCopyright 2014 The Author(s)
dc.rights.urihttps://creativecommons.org/licenses/by-nc-sa/3.0en_US
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)en_US
dc.subject.courseIDFRA-3910en
dc.subjectVDP::Humanities: 000::Literary disciplines: 040en
dc.subjectNorden
dc.subjectnordligheten
dc.subjectdet imaginære norden
dc.subjectdet sublimeen
dc.subjectSylvain Tessonen
dc.subjectSibiren
dc.subjectkuldeen
dc.subjectvinteren
dc.subjectisen
dc.subjectstillheten
dc.subjectensomheten
dc.subjectmaskuliniteten
dc.subjectselvfremstillingen
dc.subjectVDP::Humaniora: 000::Litteraturvitenskapelige fag: 040en
dc.titleLe Nord imaginaire dans quelques œuvres de Sylvain Tessonen
dc.typeMaster thesisen
dc.typeMastergradsoppgaveen


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Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0)
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