Networks, asymmetries and appropriations: Towards a typology

Abstract

This article, a revised version of Tore Rem’s keynote lecture at the XIVth International Ibsen Conference in Skien on 5–8 September 2018, draws on pp. 140–174 in Narve Fulsås and Tore Rem, <i>Ibsen, Scandinavia and the Making of a World Drama</i> (Cambridge: Cambridge U.P., 2018). This version expands on the theoretical-analytical framework of our suggested typology.