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dc.contributor.authorRamstad, Jorun Bræck
dc.date.accessioned2013-03-06T10:19:37Z
dc.date.available2013-03-06T10:19:37Z
dc.date.issued2012
dc.description.abstractIn this article, I will focus on connections between media, culture and society in order to understand two prototypical Maori responses to the film. The two kinds of responses are captured in the following phrases: “The film should never have been made” and “That’s not fiction, that’s reality”. One of my objectives is to show how these particular Maori responses to this fiction-film are entangled with deep concerns about ethnic policies and marginalization in general. In other words, the film is explored as a statement about Maori – Pakeha inter-ethnic relations and ‘biculturalism’, which is the official term for the political vision of the post-colonial nation. Subsequently, my analysis suggests insights from a deeper concern about the contexts that contribute to these particular Maori formulations of media-reality configurations, in addition to lessons of a more general character.en
dc.identifier.citationNordlit (2012) nr. 30 s. 87-109en
dc.identifier.cristinIDFRIDAID 960321
dc.identifier.issn0809-1668
dc.identifier.urihttps://hdl.handle.net/10037/4872
dc.identifier.urnURN:NBN:no-uit_munin_4589
dc.language.isoengen
dc.publisherUniversity of Tromsøen
dc.publisherUniversitetet i Tromsøen
dc.rights.accessRightsopenAccess
dc.subjectVDP::Social science: 200::Social anthropology: 250en
dc.subjectVDP::Samfunnsvitenskap: 200::Sosialantropologi: 250en
dc.subjectMedia Anthropologyen
dc.titleOnce Were Warriors - a model that matters and a mirror of concernsen
dc.typeJournal articleen
dc.typeTidsskriftartikkelen
dc.typePeer revieweden


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